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Degenerate art (German: "Entartete Kunst") was a term used in National Socialist Germany to describe certain forms of modern art. Such art was discouraged or banned on the grounds that it was more or less subtle propaganda of un-German, Jewish, or Communist nature. Those identified as producing such art were subjected to sanctions aimed at preventing or reducing the influence of such art.
Contrary to popular opinion, the phrase "Entartete Kunst" (degenerate art) was originated not by the National Socialists, but rather by an early Zionist, Max Nordau.
Degenerate Art was also the title of an exhibition, held first in Munich in 1937 and subsequently in other German cities, consisting of such art accompanied by negative descriptions.
Degenerate music is a similar term applied to certain forms of modern music and to a 1938 exhibition. The term was applied to both "elitist" music such as atonal music and to "popular" music such as jazz.
Not just music and visual arts such as painting could be seen as degenerate but also sculpture, film, literature, and architecture (one example being the Bauhaus art movement, particularly influential on modern architecture).
Less politically correct views
As for other aspects of National Socialist Germany, there may be various problems with the politically correct view of events.
Some of the art allegedly "stolen" by National Socialist Germany has been stated to be "degenerate art" removed from museums. More generally, some alleged cases of "stolen" art have been argued to be attempts to protect the art during the war which was required by the Hague Convention. The artworks were carefully packed, appraised and repaired. Had it been the German intention to "loot" or to "steal", then it is argued that it would not have been necessary to catalogue these artworks with an exact notation of the name and address of the owner, if that was known. Hermann Göring is accused of having appropriated art for a personal collection but this has been argued to be for a museum which Hitler intended to create in Linz where he was raised.
Less politically correct views on why some forms of modern art emerged include dislike of Western civilization and its art, dislike of Christianity and its traditional values and the many forms of traditional art associated with this, and a revolutionary agenda where art is intended to make people miserable and shock them in order to promote support for revolutionary changes.
Art, as being an important part of culture, has been an important part of Cultural Marxism.
Pseudoscientific psychoanalysis and psychoanalytic ideas on the "unconscious" and sexuality have had great influence modern art.
Jews have been argued to be very influential in the art world and on the development of modern art. One suggestion is that a relatively lower average visual than verbal IQ of Jews (see Jews and intelligence) has influenced Jewish views and support for different forms of art.
See also the "External links" section on other and more detailed views.
- The Plot Against Art
- Wilhelm Furtwängler and Music in the Third Reich
- Adorno as Critic: Celebrating the Socially Destructive Force of Music
- The Jews in Art, part 1
- The Jews in Art, part 2
- Modern Art: The Crowning Jewel Of Weimerica
- The Heretics' Hour: The Degenerate Jewish Art World and the “New Antisemitism
- The Heretics' Hour: Painting & Music in the Third Reich
- Saturday Afternoon: Music of the Third Reich
- ↑ Aspects of the Third Reich, Book Reviewhttp://codoh.com/library/document/2295/
- ↑ The Heretics' Hour: The Degenerate Jewish Art World and the “New Antisemitism http://carolynyeager.net/heretics-hour-degenerate-jewish-art-world-and-%E2%80%9Cnew-antisemitism%E2%80%9D
- ↑ German taskforce finds only five of 1,500 artworks were looted by Nazi https://www.theguardian.com/world/2016/jan/14/jewish-groups-criticise-german-task-force-ruling-on-looted-nazi-art-hoard
- ↑ NOT GUILTY AT NUREMBERG: The German Defense Case http://cwporter.com/innocent.htm
- ↑ 5.0 5.1 The Plot Against Art http://www.renegadetribune.com/the-plot-against-art/
- ↑ 6.0 6.1 Adorno as Critic: Celebrating the Socially Destructive Force of Music http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoI.html